Franklin K.R. Cline • so what
Franklin K.R. Cline • so what
Poetry, 2017. Paperback. 50 pages. ISBN: 978-0-9992103-2-1
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"Franklin K. R. Cline is a unique, new voice in Native American poetry. His personal and confessional poems celebrate everyday life in all its raw, domestic, and intimate dimensions. Love and sex, beer and buffalo wings, sports and television, the weather and Milwaukee, all appear within memorable lyric and prose poems. In the end, this work reaches to reclaim everything that has been stolen by America: the land, the sky, the rhythms of our humanity."
--Craig Santos Perez
Each poem in So What is entitled “So What,” which speaks to the idea that everything is a contribution to the singular endless stolen poem of history. As an enrolled member of the Cherokee Nation questioning the validity of American ideals, Cline’s lyric and prose poems interrogate his complicity in imperialism. This long-awaited volume of colloquial verse from a rising Native American voice maintains eloquence, poignancy, and humor throughout— think a tribal Frank O’Hara.
Cover art by Shaun Gaynor
Examples:
SO WHAT
The sun breaks
through the grey and shines on my TV and makes it
hard to watch TV. I’m calm. I’m comforting. I don’t believe in harming anyone who doesn’t
deserve it and I have a pretty good nose for those who would be the best beneficiaries. Who benefits
from America? Who benefits from denying health benefits?
How do they look on the outside and the inside? Often I wonder what it would be like to have more money, I wonder
about the lived experiences
of inanimate objects. Why do I let my fingernails
get so long? I have no idea where my shit
goes when I flush the toilet. How far underground does the pipe
go where my waste commingles with the neighborhood’s waste, and is that the closest I get with my
neighbors? Rod to the south is nice but he works nights so I rarely see him. He’s asleep
during the day; I don’t think Rod is one
of the people working evil at night. He says
he works at a factory. When the aluminum thud
of his car door announces his 4:30 A.M. slam home
I awake to think how happy I am for Rod to be home like me.
SO WHAT
i’m trying
to avoid
this dangerous culture
of want
mercury it seems is always
in retrograde
it’s all getting jumbled
meanwhile i’m telling someone
i don’t remember
if they asked or not
about pastoral poetry it describes the land without calling it stolen
generally speaking
anyway
why write poems about the land
it describes itself